First Man (2018)
|Writers:||Josh Singer, James R. Hansen|
|Released:||12 October 2018|
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First Man Theatrical Review
When we meet Neil (Ryan Gosling; La La Land) he is a far cry from the charismatic gentleman the world eventually came to know. Here he is simply a father watching as his two-year-old daughter get treatment for the brain tumor that would eventually kill her. He is an aeronautical engineer working for Lewis Flight Propulsion Laboratory in Cleveland, Ohio. After a series of failed tests results in his grounding he decides to apply for a job with the National Aeronautics and Space Administration.
Once there he became a part of the Gemini program and later Apollo and of course famously became the first man to walk on the moon. However, in First Man, we see the driven, hardworking, stoic individual who was a father and husband and who seemingly mourned the loss of his daughter for the rest of his life. We watch as he dutifully accepts his role as commander of Apollo 11 without outward jubilation or shock. We barely see glimpses of emotion except after funerals – first his daughters and then his colleagues' White (Jason Clarke; Dawn of the Planet of the Apes), Grissom (Shea Whigham; Non-Stop) and Chaffee (Cory Michael Smith; Gotham).
Gosling certainly plays Armstrong extremely reserved almost to the point of non-emotionally altogether. At one point I began to question if Armstrong might have been on the spectrum, as Gosling's portrayal seemed almost autistic-like. On the other hand, Claire Foy (The Crown) as his wife, Janet, displays an inner strength with a touch of vulnerability at every turn. She is alternately scared and brave as she watches her husband take the risks she instinctively knows he was born to take.
Director Damien Chazelle (La La Land) unfortunately is not at his best here. While his close-ups are plentiful and well placed his propensity for still and lingering shots is misguided. It is one thing to pause for dramatic effect, it's another to linger far too long on a person or object at rest. It makes the film feel heavier than it needs to be and elongates the running time of the movie unnecessarily. AT two hours and twenty minutes the movie seems long for a reason and, in this case, that isn't a good thing. The many moments of silence linger overly long making the film seem to drag.
The music, however, is a shining spot throughout First Man. Justin Hurwitz (La La Land) offers a dramatic undertone that sets a feeling and environment that builds to the climactic moment as the men hurtle through space on their way to the moon. His use of drumbeats accentuates the tension of the scene developing into an explosion of orchestration that is magnificent. This is one movie that proves the score really does matter.
First Man is dramatic and thoughtful and balances the silence and tension with the lighter moments. However, Gosling was miscast and Chazelle needed to further edit instead of leaving in too much of not much of anything. It's an interesting take on The United States Space program in the 1960's and the man that would become revered as an American Hero.
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29/08/2018 14:28 EST
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