By Marco Duran
Sep 29, 2009 09:31 PM EST

Zombieland Theatrical Review

Zombieland Theatrical Review
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First of all, it's cards on the table time. Zombieland is only the second zombie flick I've ever seen. I know. I know. I'm sorry. 28 days later is the other one. Not even one of the "Dead" series. They're on my Netflix cue and have been for quite some time. I just haven't gotten around to them. Things come up, y'know? Wha'd'ya do? I also saw Planet Terror, but I'm nearly done blocking that from my memory so it doesn't count. That all being said I got to go to an advanced screening of this film, sat down with some popcorn and soda (as is appropriate) and thoroughly enjoyed Zombieland. 
Before the film started, a gentleman, I'm assuming from the studio, got up in front of the theater, asked for our attention and told us we were one of the first audiences to see this film. He said that the film was incomplete and had imperfections that would be fixed before it gets released. I did notice some CGI that needed work, the color correction wasn't finished, some night scenes were very grainy, and there may be some editing and music cues that will be fine-tuned. None of it was really distracting, but I am intrigued to see how different the final product will be. Of the CGI that was there, it looks like they are taking a page from the "Zack Snyder's style of filming violence"– extreme slow motion and blood that looks like cherry Jell-o. Even the opening credit's style was nearly identical to what Snyder did in Watchmen, except each vignette shows either a zombie kill or a zombie chase - all set to Knights of Cydonia by Muse. It is effective, so I don't blame them for ripping it off. I am lead to believe that zombies come in two flavors: fast and slow. The ones in this film are fast, sprinting at people and ripping them apart in gory ways, all while bodily fluids of all disgusting sorts spew from their gaping maws. 
Our narrator (yes, there is heavy voice over throughout the entire film and, somewhere, Robert McKee is shaking his head) is Jesse Eisenberg as Columbus. This being Jesse's second "–land" film of the year, he is making a nice niche of being Michael Sera's understudy. However, I prefer Eisenberg over Sera since Sera seems to not be able to get past the awkward stammering shtick. In this film Jesse does the unconfident shtick but he adds in personality - some heart and some guts added convincingly when the story calls for it. I see Eisenberg someday being Woody Allen's alter ego in one of Allen's films. When we meet him, Columbus is on his own as the zombie apocalypse has turned everyone he knows into a flesh-eating monster. Along the way, he has created 32 rules for staying alive. These rules get posted on the screen as they are used, often to very comic effect. 
Before the film gets too far into Omega Man territory, Columbus meets Tallahassee. All the main characters are named for the cities they come from…or are heading to…it was unclear. This is supposed to keep them from getting too close to one another in case one of them gets bit and the rest need to put them away. Woody Harrelson, no doubt summoning Mikey Knox back up from where he lay, plays Tallahassee to Snake Plissken perfection. He is an unapologetic sociopathic bad ass with a heart of gold, played to the hilt to go down in history with the best of them. Pure fun. As Columbus is being dragged on Tallahassee's ongoing quest to find one more Twinkie to consume, they meet sisters, Wichita (Emma Stone) and Little Rock (Abigail Breslin). There are many trust issues between the four survivors that threaten to tear them apart for the rest of the flick but the girls become the motives for the guys for the rest of the film. 
This film is not a horror film – it's a action/comedy in the Shawn of the Dead vein. On top of that, it's a road trip and their destination is wherever they see hope on the horizon. Wichita and Little Rock are on their way to an amusement park near Los Angeles called Pacific Playland. It is a place that held good memories for them both and it becomes the main set piece for the finale. But before getting there they decide to crash in a Beverly Hills mansion they believe is unoccupied. This leads to one of the funniest parts of the film and one of the best cameos I've seen in a long time. I'll say no more here, for to say more would be to spoil the fun.  Suffice it to say this movie is filled with all sorts of pop references which may date the film, but which will not take anything away from it. 
Zombies on film are often used as metaphors. From indictments of the Vietnam War, commentaries on the Civil Rights movement or critiques of our own consumer-based culture, zombies have been stand-ins for many many things. So what are the filmmakers trying to portray with the undead here? Thankfully, they say it plainly in the last line of the film. "Without other people, you might as well be a zombie." And with that they set up a sequel very nicely. If it comes, I'll be there on opening weekend.

-- Marco Duran

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Certificate: 15
Running Time: 81 minutes
Distributed By: Columbia Pictures

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